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Poster Name:
GEED OBLITERATOR

<strong>Subject:</strong><br />The correct sinister history<br /><br /> Poster Message:
Here is the actual history of sinister since Obama won't let us teach any actual rituals anymore. The original script was written by Mike Liu during the anti Zachary Nuerge struggle: THIS IS A COMPREHENSIVE HISTORICAL BREAKDOWN OF THE ORIGINS OF BEING SINISTER AND ALL SINISTER ARTFORMS. THERE ARE SEVERAL MAINSTAYS OF THE CONCEPT OF "SINISTER," BUT THE PIONEERING AND MOST ICONIC ELEMENT IS THE SINISTER DANCE. THIS DANCE ORIGINATED IN CHINA AS THE "KE MU SAN" DANCE, WHICH WAS ORIGINALLY PUT TOGETHER AS A CASUAL FORM OF ENTERTAINMENT FOR WEDDINGS GUESTS BY ZHU KAIHONG OF CHINA'S GUANGXI PROVINCE. THE DANCE WAS LATER POPULARIZED BY THE HOTPOT CHAIN "HAIDILAO," WHICH SPREAD TO THE OCCIDENT. SOME HISTORIANS ARGUE THAT THOSE OF THE OCCIDENT COMBINED THIS DANCE WITH SINISTER MUSIC AND MORPHING, WHICH CREATED WHAT IS CONTEMPORARILY KNOWN AS THE SINISTER ARTFORM. HOWEVER, THE TREND OF MORPHING AS IT PERTAINS TO THE SINISTER AESTHETIC ORIGINATES FROM THE ORIENT AS WELL. ON DOUYIN, USING THE SNOW APP, MEITU, AND SIMILAR PIECES OF SOFTWARE TO PRODUCE UNCANNILY WIDE AND SQUARE SHOULDERS TAPERING DOWN TO A LONG, THIN TORSO AND LEGS HAS BEEN PREVALENT FOR MUCH LONGER THAN ANY OCCIDENTAL TREND. REGARDING MUSIC, SINISTER MUSIC ORIGINATES FROM A VARIETY OF COUNTRIES, PARTICULARLY RUSSIA. THEREFORE, IT IS FUTILE TO ASSIGN SINISTER MUSIC TO ORIENT OR OCCIDENT. ACKNOWLEDGING THE FACT THAT ALL MAINSTAY ELEMENTS OF THE SINISTER CONCEPT POSSESSING A DISTINCTLY IDENTIFYABLE CULTURAL ORIGIN ARE OF THE ORIENT, IT IS UNDENIABLE TO CONCLUDE THAT THE SINISTER CONCEPT IS A CONCEPT OF THE ORIENT.